Dausgaard also has some interesting things to say about Beethoven's score, as illustrated by his intelligent and idiosyncratic phrasing of the Allegretto's insistent rhythm. The scherzo bounces merrily, with the brass and drums fierce and proud in the trio. Dausgaard's finale is quite brisk, but he shows a more convincing way to render it than fellow del Mar adherent Abbado, with his too-frantic tempos and blurred, faceless articulation. By emphasizing rhythm and accents, Dausgaard creates genuine and lasting excitement--a tour de force of a performance.

... Even in these days of Beethoven saturation, this release demands acquisition.“